SS Howard A. Kelly was an American Liberty ship built in 1943 for service in World War II. Her namesake was Howard Atwood Kelly, an influential American architect of collegiate and ecclesiastical buildings.
"}{"type":"standard","title":"Flag of Brisbane","displaytitle":"Flag of Brisbane","namespace":{"id":0,"text":""},"wikibase_item":"Q5456709","titles":{"canonical":"Flag_of_Brisbane","normalized":"Flag of Brisbane","display":"Flag of Brisbane"},"pageid":24648854,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/d/df/Flag_of_Brisbane.svg/320px-Flag_of_Brisbane.svg.png","width":320,"height":166},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/d/df/Flag_of_Brisbane.svg/580px-Flag_of_Brisbane.svg.png","width":580,"height":300},"lang":"en","dir":"ltr","revision":"1189150960","tid":"7f31f6f2-96fb-11ee-a6b3-b299ff6af35c","timestamp":"2023-12-10T01:29:01Z","description":"Flag","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Flag_of_Brisbane","revisions":"https://en.wikipedia.org/wiki/Flag_of_Brisbane?action=history","edit":"https://en.wikipedia.org/wiki/Flag_of_Brisbane?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Flag_of_Brisbane"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Flag_of_Brisbane","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Flag_of_Brisbane","edit":"https://en.m.wikipedia.org/wiki/Flag_of_Brisbane?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Flag_of_Brisbane"}},"extract":"The flag of Brisbane is based upon the arms of the Australian City of Brisbane. The two primary colours used are blue and gold, with blue representing the sea and the Brisbane River which flows through the city, and gold representing the sun and the city's warm climate.","extract_html":"
The flag of Brisbane is based upon the arms of the Australian City of Brisbane. The two primary colours used are blue and gold, with blue representing the sea and the Brisbane River which flows through the city, and gold representing the sun and the city's warm climate.
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{"type":"standard","title":"Nazism and cinema","displaytitle":"Nazism and cinema","namespace":{"id":0,"text":""},"wikibase_item":"Q532656","titles":{"canonical":"Nazism_and_cinema","normalized":"Nazism and cinema","display":"Nazism and cinema"},"pageid":3019966,"thumbnail":{"source":"https://upload.wikimedia.org/wikipedia/commons/thumb/e/eb/Bundesarchiv_Bild_102-04062A%2C_N%C3%BCrnberg%2C_Reichsparteitag%2C_SA-_und_SS-Appell.jpg/320px-Bundesarchiv_Bild_102-04062A%2C_N%C3%BCrnberg%2C_Reichsparteitag%2C_SA-_und_SS-Appell.jpg","width":320,"height":460},"originalimage":{"source":"https://upload.wikimedia.org/wikipedia/commons/e/eb/Bundesarchiv_Bild_102-04062A%2C_N%C3%BCrnberg%2C_Reichsparteitag%2C_SA-_und_SS-Appell.jpg","width":553,"height":795},"lang":"en","dir":"ltr","revision":"1259326660","tid":"52484947-aa79-11ef-8260-ae9cbb2b3fbf","timestamp":"2024-11-24T15:32:32Z","description":"Nazi influence on film between 1933–1945","description_source":"local","content_urls":{"desktop":{"page":"https://en.wikipedia.org/wiki/Nazism_and_cinema","revisions":"https://en.wikipedia.org/wiki/Nazism_and_cinema?action=history","edit":"https://en.wikipedia.org/wiki/Nazism_and_cinema?action=edit","talk":"https://en.wikipedia.org/wiki/Talk:Nazism_and_cinema"},"mobile":{"page":"https://en.m.wikipedia.org/wiki/Nazism_and_cinema","revisions":"https://en.m.wikipedia.org/wiki/Special:History/Nazism_and_cinema","edit":"https://en.m.wikipedia.org/wiki/Nazism_and_cinema?action=edit","talk":"https://en.m.wikipedia.org/wiki/Talk:Nazism_and_cinema"}},"extract":"Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister, Joseph Goebbels, used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing